Celebrating Nancye Hayes

Legendary actor, dancer, singer, choreographer and director Nancye Hayes AM reflects on her career and winning the 2025 Equity Lifetime Achievement Award, chosen by her peers and proudly supported by Media Super.

In September this year, Nancye Hayes counts 64 years working in Australian theatre.

Beginning as a dancer in My Fair Lady in 1961, Nancye quickly established herself as one of the first leading performers in Australian musical theatre, with her acclaimed Charity in the iconic 1967 production of Sweet Charity.

Some of her musical successes include A Little Night Music, Chicago, Guys and Dolls, 42nd Street, Annie, Mary Poppins and Sweeney Todd. Nancye says it’s hard to pick a favourite but includes her big break as Charity as one of her career highlights. And there have been many.

“I’ve been so fortunate to have roles in shows that have meant a great deal to me, like Chicago which I did for the Sydney Theatre Company. In 1981 we were to do six weeks at the Opera House, but it was so well received we were still doing it in 1983.”

Celebrating Nancye’s career

One of this year’s highlights for Nancye was winning the Australian Equity Lifetime Achievement Award. This award recognises outstanding Australian performers who have inspired generations through their talent, leadership, and commitment to the industry.

The ceremony was held at the Sydney Theatre Company in June.

Nancye’s been a proud member of Equity since 1961

There have been many positive changes in the industry during her career.

“Back in the day, we never had rehearsal pay, and we had to find our own accommodation. Those sorts of things have changed, and Equity (the performers' union in Australia) made a great difference”.

“When I started out, I was a dancer. But over the years the style of the musical changed. When ensemble work came in, it meant we had to be singers, as well as dancers, and we had speaking roles. So we had to make sure that we were paid correctly and it was quite a struggle. I'm very proud that it did happen, and I thank Equity for that.”

“Mandatory super was certainly another great entitlement that helped improve the lives of those working in the entertainment industry, and in all kinds of work.”

Nancye’s advice for the next generation

Beyond her work as a performer, Nancye has been a mentor, director, and advocate for the arts, fostering the next generation of performers and championing the importance of Australian storytelling. Her advice for those making their way in the industry speaks volumes about Nancye’s approach to discipline.

“Always be ready. It’s so important in any life, but particularly in the theatre. Be ready, even when you think nothing's going to happen. You never know when that phone is going to ring.”